Don’t lose yourself.
Don’t assume you know 
what I need either.
Create what you need 
out of this image for healing,
and discover that I am more
than your limiting ideas 
of what others need.

All being suffer, have this volcanic
eruption of dukkha from within-
undigested material that 
attacks only in darkness 
when one is most vulnerable.
What is the remedy, the tincture 
of trust that will cure?
Grant me autonomy
and I will show you…

*****

There is humility in this image, the image that I thought was me and is now more than mine. “The Medicine” for my suffering changes moment to moment, day to day. “The Medicine” for the suffering of others also changes moment to moment, day to day.

What a gift to be able to stay close to myself, to fill out and resonate with the energetic and emotional body, to cultivate space and ease in this vihara, to impact space and ease in others.

*****

Benevolent breath
Fill me with purpose
Receive my inadequacy
As a distant memory
You are the baseline beat
To every song I sing
My entry into this world
My exit off this stage
​
Stay with me
Remain with me
Watch and pray
That I fill this body
Completely 
To honor you
To know myself
To sense the song in others
And begin the improvised duet 

Heart Nebula by G. Parker

The image begins as a dream, one where the main character feels embarrassed at her vulnerabilities being exposed. She is also claustrophobic, overwhelmed by the number of people occupying her personal space. Who are they, and how can she escape?

Is the dream mine, or does it belong to someone else? My mother-in-law is stuck in a nursing facility in India, wanting nothing more than to return to her home and live out her last days with space and ease.

Space and ease. Something about these words carry a significant resonance, like bells at the end of a religious ceremony when the priest is chanting an ancient Sanskrit prayer. The words are not only invoked in present time, but from the accumulated karma of past lives, the possibility of seeing and sensing with more sacredness in the future.

Carrying the dream and it’s multiple interpretations like a warm shawl to morning meditating, I allow space and ease to fill the body with meaningful intention. The mind is eager to apply teachings of Soulmaking and emptiness to the experience, to think its way to a profound insight as a candle of sandalwood and jasmine is lit to invoke a meditative trance.

But the bodies memories are ancient, slowing the mind down to feel the elements that have shaped it – rivers carving canyons, heat and wind molding earth, the stardust of all life being exchanged through cycles of respiration, porous skin, a beating heart influenced by the rhythms around it. Humbled, the mind yields to its wise ancestor, the body, and waits.

Space and ease. The energetic body begins to relax. The emotional body becomes a sanctuary – a temple, a church, a synagogue, a mosque, open natural space to receive the vulnerabilities of others and mirror back their beauty, strength, and resilience.

The heart becomes a doorway to boundless compassion, not only for a body sitting here, but for a mother-in-law in India, a partner there trying to honor his mother’s last wishes, patients recently encountered who felt complex because of ‘extra’ needs, a politician who appears narcissistic and aggressive, and so many other countless beings I have overlooked from contraction and dis-ease.

May this artful insight, empty of a single person, place, practice, or state of citta, filled with love from multiple beings, places, practices, and states of citta, be for the benefit of all.

There is never a dull moment to practice.

Is it night sweats caused by extra spice or sugar from dinner last night, a muscle spasm from a disturbing dream, or something else? The condition has been ongoing for three years, evading a specific diagnosis, even by my own medical mind.

I do not like this mysterious condition that causes a significant portion of the back body and limbs to tense and contract. Trying to attack it with many modalities, including hormone replacement therapy, dietary changes, cooling the ambient temperature of the room, more conscientious and calming sleep hygiene before bed, I'm up again this morning before the alarm.

Fearful and frustrated, I’m inspired to try a different approach. Laying on my back, the support of the bed supported by the earth is grounding. Compassionate breath fills the whole body with a soothing, intimate massage from the inside out. Metta flows in abundance. A fire is lit in the heart’s hearth in reverence for this phenomenon, trusting the body's wisdom for a meaningful practice to arise.

Susurrations of the words contraction and  e x p a n s i o n  are heard from another dimension, imploring me to embody them in this one. I realize I’m dealing with a duality! A vision of a flower expanding in sunlight on the inbreath and contracting in darkness on the outbreath begins to fill the body. Expansion depends on contraction; contraction is born from expansion.

I slow the breathing down intentionally to feel the whole transition of bud to blossom, growth to compression. Bud and blossom are not separate, connected by a meaningful continuum. I’m invited to love the whole cycle, softening the preference for one or the other. The effect is humility and awe at the design of human experience. The blossom, the expansion is only part of the sacred story.

There is never a dull moment to practice.

​Climbing up the steep hill at Foothills Park,
I reflect on this faint sensation
pushing from the back, pulling forward
without regard for the body’s buy in,
the heart’s sensitivities, the mind
taking over the whole endeavor
as if speed and production are key.
How often do I push patients, pull
at the loose ends of family and friends
to get somewhere, get something done,
the checklist seemingly complete
so I can finally stop and breathe?

I’m so tired of this conditioning,
this need to move at the pace
of a ticking time bomb ready to explode.
What would it mean to find my own rhythm,
heed the call of heart time not measured
in seconds, minutes, hours, even days
but in compassion, curiosity, creativity-
slowing down to create/discover
what it means to move at own pace?

Practicing with the Five S’s

Space/Splendor - Zoming out of the difficulty to notice space around it and anything pleasant to help balance the difficulty and not go into all-or-none, catastrophic thinking.

Sensations- Rather than trying to doctor the pain into a diagnosis (hard to abstain since it’s my profession), noting the sensations as ‘throbbing’ or ‘burning’ rather than ‘pain’.  It makes it less personal.

Self-compassion - Placing a hand on the hurt place and recognizing that others experience this, too. If I cannot feel the self-compassion, then inviting a figure of love to inspire it.

Not-self - Reflecting  on past inner and outer causes and conditions, present inner and outer causes and conditions contributing to the pain. Empty of a single cause or condition, and full of love.


There is a benevolence 
That softens a tangled mind
Agitated heart and tense body
Till they are all aligned 
To inhabit the moment 
With such intimacy and tenderness 
That a bright yellow center
Attracts bees to make honey
Make sweetness, make love
With all the hurt places-
Blood orange petals radiating
Metta in all directions
​Wishing for all to be free

For the first few days, samadhi is strong. It nurtures contentment on and off the cushion.

Then I wake up one morning with severe foot pain, unable to bear weight on the right foot. The perfect bubble bursts. Papanca proliferates in the mind. The heart is burdened by fear as the body tenses against unwelcome change.

It takes another few days to recognize etch a sketch potential in the breath, erasing tangles in the mind, sensing throbbing, aching in the foot and spaces in the body that are neutral, even pleasant. What is drawn on the mind screen, felt in the body and heart, all depend on my ways of looking.

I am not a ‘good’ practitioner when things go well, or a ‘bad’ one when things are difficult. 

Empty of a single cause or condition, and full of love.

The mantra continues to offer humility, softening blame and deepening compassion.

May these insights be shared with my patients and all beings, who are also subject to sickness, aging, and death.

Samadhi is not a perfect state, but mind, body and heart in alignment, receptive, sensitive, honest, always in communication with what’s needed now. If what’s needed is not apparent, then samadhi is waiting patiently and trusting if will come.

Kisagotami Bikkhuni and Rosemerry Wahtola Trommer, I am listening…


****


KISAGOTAMI ~ SKINNY GOTAMI


A child dead.
And a mad search for a magic seed.


It's a story as old as dust.


Brave up, my sisters.


The day will come
when you run
from house 
to house.


People will meet you at the door, 
look you in the eye, 
and they won't let you in.


I'm sorry, they'll say.
But we can't help you.


Listen.


When everyone you love is gone, 
when everything you have 
has been taken away, 
you'll find the Path
waiting 
underneath 
every rock 
on the 
road.


These are the words of Kisagotami.




*****


Toward Peace  ~  Rosemerry Wahtola Trommer


Perhaps some part of me still believes
peace is a destination,
a place we arrive, ideally together.


I notice how shiny it is, this belief,
like a flower made of crystal,
beautiful, but lifeless,


devoid of the dust and scuff
that come from living a real day.
Meanwhile, there is this invitation


to grow into peace the way real flowers grow--
in the dirt. With blight and drought,
beetles and hail.


Meanwhile this invitation
to live in the tangle of fear and failure,
to be humbled by my own inner wars


and wonder how to find a living peace
right here, the peace that arrives
when we take just one step through the mess


toward compassion and notice
as our foot rises our heart also rises
and in that lifted moment


still scraping along in the dirt,
there is a peace so real we become light,
become the momentum that is the change.

The art class is located inside a studio in a small suburban shopping center next to an Indian grocery store. As Rachel and I walk in, we exchange exuberant facial expressions. Instead of a woman in midlife, I feel like a kindergartener about to fingerpaint. Our eyes widen in excitement as we take in the mosaic tiles and beads neatly separated by colors in small bowls at each workstation. Turkish mosaic lamps and candle holders of various designs are on display throughout the room to inspire our imagination.

“Where should we sit?”, I ask Rachel.

“Let’s sit at the edge of the table so we have more room to move around”, she replies.

“Good idea!”

We place our belongings on two chairs facing each other each other near the studio entrance. Taking our seats, Rachel and I introduce ourselves to a couple sitting next to us. We each begin to use a paper template in front of us to map out design ideas before gluing the mosaic tiles onto the glass globe of our respective lamps.

When our instructors indicate that it’s time to transfer the mosaic tiles and beads onto the glass, I panic. My design is ready, but it doesn’t look or feel like the images I had envisioned for the lamp prior to class. I begin to doubt the colors and shapes I’ve chosen and start to compare my design to those of our neighbors and Rachel.

This is not how this class is supposed to unfold!

To make matters worse, I cannot retain the exact design when I start to glue the mosaic pieces onto the glass. It takes gentle effort and patient precision, two things that are not included in our art supplies as my perception of time begins to contract.

“Let’s just get this over with”, my mind silently shouts as my heart sinks. The kindergartner come middle aged woman feels like she’s messing up. I try to remain positive, plastering a smile on my face and making polite conversation with Rachel and the couple next to us. Inside I feel tense but continue to diligently glue each piece into place.

The pieces are crooked with spaces between them, and the larger designs are not symmetrically spaced around the glass globe. A part of me remembers the joy of art as process over art as product, but that part is stifled by the need to finish the product in the studio time remaining.

*****

The next day, I remove the glass globe and try to fill in the spaces with the plaster provided in the take home kit. Mixing the powder with too much water, the plaster is too thin to stick to the glass. Frustrated, I proceed to wash off all the excess runny plaster. In the process, some beads fall off the glass globe.

Ugghh! This shouldn’t be happening.

Ah, but it is!

Who said that? The voice does not return till I walk away from the mess I am making.

Perfection assesses whether someone or something is worthy, worthwhile. It sees in black and white. This is either all good or all bad. Perfection thrives on fear, rigid judgments, restlessness until perfection is achieved. It’s fragmented, believing happiness resides in a limited range of experience. It’s a constant uphill climb, and forever exhausting.

Wholeness invites all aspects of a mosaic experience, understanding the picture is incomplete with any piece left out. It’s patient, allowing mental and bodily formations to communicate, as the heart bathes the experience in whatever wholesome factor is needed for unification. Wholeness perceives above below, around any fixed view to see and sense with soul, to cultivate contentment in all circumstances.

Perfection or wholeness? Where do you want to live, Kaveri? Even this dual reflection is a cause for suffering. Know that you are shaped by both, that each influences the other, and bow to the full range of life experience.

*****

I decide to walk away from the art project, reflecting on the process instead of the final product. Art is very similar to the meditation process. If my attention is tense, tight, narrow, and analytical, I will perceive the experience as unpleasant. If my attention is more relaxed, soft, expansive, and observing in nature, the experience can be neutral, maybe even pleasant.

Ideas of perfection, wholeness, process and product all swirl around in the limited space of my cranium. I take them to the meditation cushion and sit. Like pinballs, they keep bumping up against walls until there is no controller trying to save and define them. Fixed, judgmental attention transforms into relaxed, loving awareness as metta permeates through the entire space.

May I be gentle with the process.
May there be confidence in the beauty of awareness.

Just as the bell punctuates the end of the meditation sit, an insight arises. Beauty is not limited to a final work of art or an artist. It is also inherent in wholesome mind states brought to any artistic or meditative process. Viewed this way, nothing is an ugly mistake. No parts are left out.

Feeling more curious and connected to the Turkish mosaic lamp, I hold it with tenderness, patiently gluing each small bead back on one by one with crazy glue. Giving it another 24 hours to dry, I wait for my partner to help me assemble it when he has time.

What’s the rush?

​Caste in bronze resin sitting on top of a ferocious lion, she commands attention at center stage. Endowed with power from multiple male deities to defeat the demon Mahishasura, she wields the weapons of a chakra, conch, bow, arrow, sword, javelin, trishula, shield, and a noose to clear all obstacles. Bejeweled in crimson and green ornaments adorning her crown, ears, neck, and waist, she embodies the cycle of death and rebirth, endings and beginnings necessary for all human experience.
 
My mothers never prayed to her. I wonder if paying attention to her now will strengthen and heal the maternal line.
 
To her right sits a smaller being caste is the same bronze resin. He was known to wear simple saffron robes and walk barefoot for miles in search of suitable space for long periods of meditation. 
 
I still don’t understand how he abandoned his wife, Yasodhara or his son, Rahula in search of enlightenment. Can enlightenment still be found as a householder? As I try to reconcile this paradox in heart and mind, I am still grateful for the Four Noble Truths, the Eightfold Path, the numerous lists as treasure maps to freedom. Maybe he didn’t abandon his family, but sacrificed the comforts of a safe, opulent life for something far more valuable.
 
To his and her left is another small being cast in the same bronze resin. She hears the cries of the world and stays till there is ease. Her demeanor is relaxed, yet ready to spring into action and alleviate suffering at a moment’s notice. She is the embodiment of the most caring 911 system I have ever seen. I’m still exploring hidden caves of compassion inside her world.
 
Above them all hovers a spirit in flight wearing colorful feathers in solidarity with the winged friends surrounding her. Trapped in 2D and a mahogany frame, she yearns to gather momentum and fly on wings of creative intuition, to leave the limitations of 8.5. X 11“ flat space in favor of more dimensionality without rules. She embodies the wisdom of stillness and movement, the space needed for meaningful transformation to occur in divine time. She understands that the wonders of the world were not created overnight.
 
Each day I light a candle, bowing in humble reverence to each of these beings, to their symbolism and the qualities they inspire in me.
 
I still feel this heart encased in layers of misunderstanding, a hidden gem polished by years of devotion.
 
One day there will be a dissolving of all separation. One day, I will be free to love as I was meant to.
 
There is no doubt.

​On a walk at Calaveras Big Trees National Park, the park ranger paused to pay homage to two giant sequoias that shared the same trunk. The trunks were originally separate, and fused together after a fire for mutual benefit and survival.

I thought of my mother and daughter, how the umbilical connection was severed between us at birth, how the sacral, sacred burning in my body was a sign.

I reflected on all the beings I have pushed away on this camping trip and beyond, the yearning to share the same base, something tender beyond ideas of a separate self.

In meditation, the image of the conjoined sequoias arose, inspiring metta for my teachers, for me, for my mother and daughter, for all the beings at camp, and beyond. It wasn’t my body-heart-mind responsible for such vivid and vast imagination, but tapping into a larger, loving life force inherent in all things.

Listening to the bell resound at the end of the sit, I was clinging- to the bell, the sequoias, the feeling, fearful that I would walk back into a black and white world where beings scurried frantically around like mice to make meaning.

I will continue to disagree with others and feel the pain of separation. I will also persevere in tenderness, beauty, and Soulmaking.

It’s what I was born to ‘do’, and who i already am.