​Caste in bronze resin sitting on top of a ferocious lion, she commands attention at center stage. Endowed with power from multiple male deities to defeat the demon Mahishasura, she wields the weapons of a chakra, conch, bow, arrow, sword, javelin, trishula, shield, and a noose to clear all obstacles. Bejeweled in crimson and green ornaments adorning her crown, ears, neck, and waist, she embodies the cycle of death and rebirth, endings and beginnings necessary for all human experience.
 
My mothers never prayed to her. I wonder if paying attention to her now will strengthen and heal the maternal line.
 
To her right sits a smaller being caste is the same bronze resin. He was known to wear simple saffron robes and walk barefoot for miles in search of suitable space for long periods of meditation. 
 
I still don’t understand how he abandoned his wife, Yasodhara or his son, Rahula in search of enlightenment. Can enlightenment still be found as a householder? As I try to reconcile this paradox in heart and mind, I am still grateful for the Four Noble Truths, the Eightfold Path, the numerous lists as treasure maps to freedom. Maybe he didn’t abandon his family, but sacrificed the comforts of a safe, opulent life for something far more valuable.
 
To his and her left is another small being cast in the same bronze resin. She hears the cries of the world and stays till there is ease. Her demeanor is relaxed, yet ready to spring into action and alleviate suffering at a moment’s notice. She is the embodiment of the most caring 911 system I have ever seen. I’m still exploring hidden caves of compassion inside her world.
 
Above them all hovers a spirit in flight wearing colorful feathers in solidarity with the winged friends surrounding her. Trapped in 2D and a mahogany frame, she yearns to gather momentum and fly on wings of creative intuition, to leave the limitations of 8.5. X 11“ flat space in favor of more dimensionality without rules. She embodies the wisdom of stillness and movement, the space needed for meaningful transformation to occur in divine time. She understands that the wonders of the world were not created overnight.
 
Each day I light a candle, bowing in humble reverence to each of these beings, to their symbolism and the qualities they inspire in me.
 
I still feel this heart encased in layers of misunderstanding, a hidden gem polished by years of devotion.
 
One day there will be a dissolving of all separation. One day, I will be free to love as I was meant to.
 
There is no doubt.

​emptying the space 
of preconception 
new ways of looking
​are possible 


When things change, I get scared. Expending more energy on what class I can attend, what book I should read, or who I should talk to, I forget the invitation to just rest in uncertainty.

There is also tremendous compassion for how hard it is to feel windy thoughts jarring the mind, waves of painful emotions crashing against the shores of a tender heart.

A few days ago I was driving home from work. Heavy winds howled like banshees shaking the small electric car to the core of vulnerability. I thought I was going to die.

Arriving home in one physical piece, but many psycho-spiritual pieces, I tried releasing the visceral threat through words and tears in the arms of my loving, attentive partner.

I still felt broken.

I had no control over so many things: the body changing in perimenopause, friends and colleagues having meaningful plans that did not include me, miscommunication with my mom and teenager, patients and families who were not heeding my recommendations.

Yet, the following images arising in different meditations have offered some  comfort and clues along the way.


1.) An image of mysterious eyes crying colorful streaks of tears that veil the face. Allowing rivulets of difficult emotions to flow through the heart space can be beautiful and meaningful.

2.) An image of a woman placing hands on belly and heart, as if the body were a stringed instrument. Her hands feel the vibrations of sacred music from within, her fingers strumming along to create/discover more.

3.) An image of wind and waves threatening to break a protective structure shaped like a rib cage encasing a multifaceted jeweled heart. Sensations of fear and doubt arising as the jeweled heart smashes against its protective walls. As I grant autonomy to the heart, reverence and trust arise in the process, as well as wisdom and courage to love and be loved.

4.) An image of a mind cluttered with preconceived ideas of past experience. I wonder what it might be like to perceive experience with humility, soft and elastic edges, with the enthusiasm and wonder of a child trusting in benevolence. New ways of looking are possible.


****
​

When things change, I get scared. Sometimes I even want to hold onto this writing, these images…as if they are a talisman to protect me from uncertainty. 

Then I remember the true nature of trust. As self, other, and world change, so will words and images. The deepest letting go is letting go of it all, trusting the next words, the next image, the next stepping stone to appear when it feels impossible to cross the floods. 

Time is melting, distorted 
Not as solid as you think
Running out, slipping away
What time is it?
Do you want digital or analogue?

So much distress from the horizontal-
Running away from the past
Running towards future redemption
What’s here right now?

The trees are standing still
Understanding the meaning
Of growth in the vertical 
Amor fati
The only time is now

Eyes glued to the ornaments on other trees,
heart bleeding at the base,
I’ve yearned for the traditions of others,
abandoning my own in mistrust.
 
Where is the base of this tree?
Is it rooted in connection 
or uprooted, killed to die
for some indoor tradition
that does not feel genuine?
 
Angel at the top,
are you watching over us?
Presents at the base,
will you fulfill our needs?
 
Seeing all the firs, pines, and spruce 
in high demand this time of year,
I envision this body as a tree--
sits bones rooted in earth,
crown sunkissed, starstruck, moonswept.
 
Ornaments etched with glittering words
adorn these branches, these limbs,
words that have more dimensionality 
than the ornaments themselves.
Generosity. Patience. Reverence.
 
How I decorate my inner life
determines how I see others,
and sense relationships with soul.

During spring break, I had the opportunity to visit a butterfly sanctuary in Maui. The fact that it is called The Maui Butterfly Farm (not caterpillar or chrysalis farm) speaks volumes about the value given to the butterfly in its life cycle.

The butterfly is beautiful, light, and free – an exquisite symbol of pleasurable moments or stages of life. In contrast, the caterpillar is ugly, heavy, sluggish, always hungry for more. It represents challenges along the way, the wish to transform and be transported elsewhere. For me, the hardest stage to be in sometimes is the chrysalis, the neutral moments of perceived inactivity when questions are marinating in dark space. If I force answers prematurely, wings are torn before possibilities can even take flight.

What does it mean to honor each stage, to understand that I am moving through symbolic caterpillar-chrysalis-butterfly stages multiple times, not just once in a lifetime? How would my life change if I wasn’t just chasing butterflies, but embodying the whole picture?

*****

In Matty Weingast’s, The First Free Women, original poems inspired by the early Buddhist nuns, Theri Punna (Full)  writes:

 
Fill yourself
with
the Dharma.
 
When you
are as
full
as the
full
moon--
burst open.
 
Make
the dark night
shine.
 
 
Hearing Punna’s whispers inside this body-heart-mind, I wrote the following:
 
All this time--
waiting
for the big moment,
the Earth to quake
like His awakening.
 
All this time--
the heart knew
that reflecting
wholeness
in all beings,
 
like a still lake
mirrors
the full moon,
 
was Her awakening.


For years, I’ve been waiting for my life to begin. Chasing butterflies, waiting for the Earth to quake, to awake with ultimate understanding, I missed the smaller moments of stress and struggle, of forgiveness and redemption, of joy and fullness all around me.

In medicine, meditation, and other aspects of life experience, there is deeper presence, less restlessness, more contentment in the simplicity (and profound healing) of reflecting wholeness in others by sensing the fullness within.

*****

In Yasodhara* and the Buddha, Vanessa Sasson does a fine job of setting a vivid stage for their story. She honors ancient Indian culture with humor and reverence. Because of her background in Asian studies and notes at the end of the book referencing other Buddhist and Hindu texts, I trust the story. I also respect her creative additions.

There are so many themes to contemplate in the book: opulence vs. simplicity, loving a precious few vs. all beings equally, the life of a monastic vs. the life of a householder, confusion vs. clarity. They remind me of the three poisons in Buddhism – greed, hatred, and delusion, and the healing power of generosity, metta, and clear-seeing.

Though the Buddha’s story gets all the attention, Yasodhara’s story is equally important. As a householder myself, I feel her loss when she agrees to marry and is confined to the palace walls and Siddhatta’s heart. She renounces her previous life and the freedom it offered. I feel her labor pains, her devotion to Rahula*, her grief and the doubt it conjures when Siddhatta leaves and again when the Buddha takes Rahula for training. I resonate with the need to embody Durga Mata*-like fierce presence, the need for strong maternal guidance and support from someone like Mahapajapati* to face sexual assault.

In the end, I understand that awakening is possible for a householder as much as it is for a renunciate, not because she left, but because she stayed. She stayed with the whirlwind of emotions, changes in her body, changes in her identity.  She saw Kisa Gotami* holding on to a dead child in a deliriously painful way, and began to contemplate the power of letting go.

May all women sense their full moon potential, and reflect this in others.

Notes:  
*Yasodhara is Siddhatta’s wife. Siddhatta later becomes the Buddha.
*Rahula is the son of Yasodhara and Siddhatta.
*Durga Mata is the Hindu goddess of protection, strength, motherhood, destruction and wars.
*Mahapajapati is Siddhata’s maternal aunt who raises him when his own mother, Maya dies after childbirth.
*Kisa Gotami is so stricken by the death of her child that she loses her mind. She is freed by a wise teaching from the Buddha.

*****
​
Butterflies, full moons, epic stories inspire this journey of late. I’m so grateful for some time to slow down and reflect on them. May something offered here be of use, of inspiration.

be gentle, be loving
patient and proud
of the wind and tears
that carved a goddess
from suffering

Kwan Yin’s kindred spirit
is learning to listen
to the cries of the world
and stay till there is ease
as she listens to her own body

the dance of sensations
ok as she is
a caged heart
trusting her wingspan
to fly beyond the bounds
of fear and unmet expectations

she is still exploring
she is still unfinished

(Listen to audio version here)

(If you would like to listen to the audio version of this talk, click on the link above.)
​
​The picture changes. Have you noticed this? People, places, things I’ve loved and wanted to hold on to are no longer the same. Family pictures that we took when my daughter was a baby are different now. She’s no longer a cute little cherub, but a tall, lanky teenager complete with acne and attitude.

The picture of who I wanted to be as a mother was so radically different than who I actually was. Instead of having my shit together and nursing my daughter lovingly, I looked like I hadn’t slept for days, felt irritable all the time, blamed anyone and anything in my way (especially myself), and couldn’t breastfeed beyond about 6 weeks.

For those of you who have ever been first time parents, you know it’s challenging. Even if you haven’t been a parent, anything you take on that is new and unfamiliar can be difficult: adopting a pet, starting a new job or school, caring for an aging family member, losing a job, moving to a new place, a new medical or psychological diagnosis in you or a loved one, and so on.

But stress, discomfort, dis-ease, is not just about meeting moments of difficulty in life. We all face challenges. What makes certain ones more stressful than others? 

2600 years ago, the Buddha had a word for stress. In Pali, the language spoken by the Buddha in India at the time, the word is dukkha. Just living this human life, we know that pain is inevitable.  But the added stress is optional. There’s a saying that illustrates this point well: pain x resistance = stress. If pain is inevitable, then what adds to the stress?

It’s our resistance to what’s happening moment to moment. The desire to hold on to the way my body used to be in less discomfort and able to do certain yoga poses, the aversion to burning, searing, aching, throbbing sensations in my left gluteal muscles, sacroiliac joint and right shoulder, the delusion that none of this should be happening, that I should be able to fix it, that this experience of pain is unique to Moi and no one else has ever felt this way.

What are you currently holding on to in your life? What are you pushing away? How are you daydreaming or misunderstanding a current situation? It may help to place a hand on your heart or a part of the body that is hurting, breathing into any discomfort with as much tenderness and compassion as you can muster. If that feels awkward, then imagine a comforting presence here with you now, breathing with you, understanding you, loving you just as you are. 

With our body’s, our circumstances, the people and things in our lives ‘forever’ rotating through like a slideshow, what can we come to rely on that is real, that will provide some measure of robust comfort when the picture is always changing? How can mindful awareness frame the experience in curiosity, kindness, and remain intimately connected regardless of whether we like, dislike, or believe what we are seeing?

There’s a song that I love from high school called ‘Pictures of You’ by an 80’s band called The Cure. The lyrics start out:

I've been looking so long at these pictures of you
That I almost believe that they're real
I've been living so long with my pictures of you
That I almost believe that the pictures
Are all I can feel
 
I realize now that expectations I had of myself as a new mother, as a person with this current body, even of my daughter as they are now, are all rooted in past or future stories of what could have been, what should have been.

This moment, right here, right now can be so exquisite, unburdened by past blame or future worry. For me, The Cure for stress is to identify more with the picture frame, and not the changing picture. Easier said than done, right? It’s hard to believe this when there are constant messages and advertising of the perfect picture, the perfect body, the perfect life on Facebook, Instagram, the media and beyond.

Mindfulness practice trains us to notice when we are lost in a story that isn’t true, when emotions feel like weather systems that will last forever and are actually changing all the time, when sensations define who we are and don’t need to be taken so personally. 

Learning to identify more with the picture frame, the frame of mindful loving awareness rather than the picture of changing circumstances takes time. If you are fairly new to mindfulness practice, you may uncover thought patterns and old habits you haven’t seen before. Things can feel worse before they feel better.

Know that you aren’t crazy or doing anything wrong. This is completely normal. In firefighting, the term backdraft is used to describe the sudden introduction of air into a fire that has depleted most of the available oxygen in a room or building. Similarly, when you bring attention to patterns of desire, aversion, and delusion, they can initially feel more intense.

This is when it’s helpful to practice with the support of others- a trusted teacher or therapists, wise, loving spiritual community. I’ve also found it useful to bring a spirit of creativity, adventure, and play to these practices. Like learning to cook a dish, play an instrument, grasp a new language, ride a bike, or train yourself in any unfamiliar skill, it can feel so cumbersome if approached with rigidity or expectations of immediate results. Yuck! Who wants to do that?

And, it takes a certain amount of gentle discipline, curiosity, kindness, patience, trust, determination, care, compassion, joy, beauty, resilience, and forgivingness to keep practicing, at least in my recipe book. Your healing journey may need similar or different ingredients. You won’t know till you try, keep showing up, adding a little more of this, taking out a little bit of that.

After 15 years of practice, I still identify with the picture, and sometimes forget about the picture frame. What’s changing is the capacity of this heart-mind to notice sooner, rather than later what’s needed to frame every experience in some aspect of love. It doesn’t matter how long it takes me. What matters most is my willingness to try. I’d like to share a poem that I think speaks to this "Cure for It All" by Julia Fehrenbacher.
 
This life isn’t what I expected. This practice isn’t what I expected. And it’s inspired such a radical honesty in me to try and see things as they are. Nothing more. Nothing less.  Anything else just doesn’t make sense.

I. Establishing equanimity as ease and relaxation, orienting to pleasure, and lingering with experience
​

red maple leaf in close up by Atle Mo

blood red Japanese maple 
shocks the heart
back to life
your delicate leaves
won't last forever
​
​

II. Equanimity as earth element, stability, or solidity
​

marble toy by Louis Maniquet

the Earth pulls
you close to her
why lean forward
or turn back
when her love
can hold you here
​

III. Equanimity as wind element, movement, change, letting go to let in.
Everywhere the wind carries me is my home. (Yu Xuanji)
​

IV. Equanimity as space or silence, widening the attention.
​

***Equanimity weekend retreat inspired by Robin Craig, led by Brian Lesage